You were telling him about Buddha, you were telling him about Mohammed in the same breath. You never mentioned one time the Man who came and died a criminal’s death...
Awesome movie. Great music, funny, and featuring one of the biggest ongoing gross out gags that I've seen in a long time, N+N was basically a delight to watch. It was like a cleaner, more romantic, but still exceedingly awkward, version of Superbad. With significantly less alcohol consumption. And it had a queer-core band in it... which, as such an "unknown" genre (seriously, does anyone here know what that is but me? ) of music, earned major props from me. And did I mention that the soundtrack was killer? I'd have left off, you know, Vampire Weekend, but Band of Horses? Early Modest Mouse? It was like an indie rocker's dream.
B+
Blindness
Bleh. I might have liked it more if I didn't have a bunch of twits lighting up joints behind me (I went and complained... and I ended up completely enraged, which never happens to me), and if I didn't have to leave the theatre for ten minutes because I needed to calm down.
However, taken as a film, it seemed decidedly lacking. It's not that it wasn't well-made. Blindness was a visually interesting picture with a ton of great acting, as well as great ideas. Yet despite that, it ended up feeling rather... shallow. Almost a meditation on the inherent good--and evil--in the human spirit, and perhaps the possibility of recreating oneself anew through trial. It ended on a hollow, unfulfilling note that seemed less of an ending and more of an expected resolution.
You were telling him about Buddha, you were telling him about Mohammed in the same breath. You never mentioned one time the Man who came and died a criminal’s death...
It's not great, but...I gotta say, some aspects of the film are very impressive and the rest are all pretty solid. Visually, the film is just plain gorgeous. Constantine's character very much intrigues me and is one of the more interesting hero's I've seen. And Reeves plays him to perfection.
It's definitely not a perfect film, but it's a nicely packaged little fairytale. James McAvoy, Christina Ricci, and Catharine O'Hara are definitely quite capable of carrying their roles.
Rarely does a horror film captivate me, but that's exactly what happened here. Midnight Meat Train, the latest from Clive Barker (who did not direct the film, but served as producer and penned the original story), is one such movie. It's about a NYC photographer who is intent on capturing the horrors of the night to film, to show people what the city is really like. And it's about what really happens to the people that disappear in the night, particular the subway train that arrives just after 2. This is a gory movie, it's tense and it's well-made. Definitely one of the few horror pictures that I pick up.
You were telling him about Buddha, you were telling him about Mohammed in the same breath. You never mentioned one time the Man who came and died a criminal’s death...
My parents and I were bored so we turned the TV on and watched this horrid disaster flick, that had a had a plot about as predictable as the Cubs blowing it in the playoffs, abysmal special effects, and a musical score that stunk as bad as my cousin's feet. At least the acting was decent.
Rarely does a horror film captivate me, but that's exactly what happened here. Midnight Meat Train, the latest from Clive Barker (who did not direct the film, but served as producer and penned the original story), is one such movie. It's about a NYC photographer who is intent on capturing the horrors of the night to film, to show people what the city is really like. And it's about what really happens to the people that disappear in the night, particular the subway train that arrives just after 2. This is a gory movie, it's tense and it's well-made. Definitely one of the few horror pictures that I pick up.
"I'm addicted to cold turkey, so I think I'm going to quit. I tell people this and they say 'what are you quitting?' I'm quitting freaking cold turkey."